At the centre of the watch was a raised circular section that immediately reminded me of old porcelain repairs. The cracks and divisions seemed to echo kintsugi, the Japanese practice of repairing broken ceramics in a way that acknowledges, rather than conceals, their history. Combined with the age and character of the dial itself, it suggested the appearance of a treasured object that had passed through many hands over time.

That observation led naturally towards porcelain. Blue and white ceramics have been part of Shanghai’s visual landscape for generations, appearing in homes, restaurants, gardens and collections throughout the city. They are both decorative and practical; objects designed to be used, and in many cases, used for decades.

The Yulan magnolia was chosen as the focal point of the piece. As Shanghai’s official flower, it has become closely associated with the city, appearing each spring before quickly disappearing again. Like many things that define a place, its impact comes partly from its fleeting nature.

Painted onto a vintage Shanghai watch, these elements came together almost naturally. The dial already carried the marks of time. The porcelain-inspired design and magnolia flowers simply added another layer to its story.